Alabaster, concrete, and ceramic each bring a distinct material character to light. From the natural translucency and veining of alabaster to the raw depth of concrete and the crafted finish of ceramic, each surface shapes light in its own way. The result is lighting defined by texture, substance, and a timeless architectural presence.
Soft enough to be carved into refined forms, but delicate enough to require careful handling.
Only a limited portion of extracted stone has the translucency, tone, and stability needed for lighting.
No two pieces are identical. Each luminaire carries its own pattern, tone, and level of translucency.
Used for thousands of years, alabaster remains valued for the way it turns stone into soft, atmospheric light.
ALABASTER PREPARATION
Blocks are chosen for tone, veining, and translucency. The better the stone, the better the final glow.
Blocks are chosen for tone, veining, and translucency. The better the stone, the better the final glow.
Forms are shaped slowly by hand or machine to create curves, spheres, and custom designs without stress cracks.
Stone walls are reduced to the right thickness so light can pass through without making the piece too fragile.
Surfaces are sanded and polished to reveal depth, soften edges, and refine the stone’s natural character.
Each piece is checked for cracks, tone, veining, light quality, and safe assembly before installation.
Concrete is made from cement, water, sand, and mineral aggregates, combining lasting strength with refined texture and bold architectural character.
CONCRETE
BETALY®
CRISTALY®
CEMENT
CONCRETE PREPARATION
Cement, water, aggregates, and pigments are blended to control strength, color, texture, and workability.
The mix is poured into molds that define the final shape, size, and surface detail.
The mold is vibrated to release trapped air, helping reduce voids and weak spots.
The piece cures slowly so the concrete can gain strength, stability, and durability.
Once cured, the piece is removed, cleaned, sealed, polished, or textured to achieve the final look.
Each fixture is checked for surface quality, structure, consistency, and safe assembly.
Ceramic is natural clay shaped and fired at high temperatures, creating a durable material with unique texture and character.
CERAMIC PREPARATION
Clay is prepared and air pockets are removed to create an even body that won’t crack during firing.
The clay is shaped by hand, wheel, press, or mold to create the final fixture form and thickness.
The piece is fired once at a lower temperature to harden the clay and prepare it for glazing.
Glaze is applied to create the final color, sheen, texture, and surface protection.
The glazed piece is fired again so the surface bonds to the ceramic body and becomes more durable.
Each fixture is checked for finish, cracks, structure, and safe assembly before shipment.
Every project calls for a unique expression.
Our stone and mineral lighting can be customized in shape, size, configuration, and finish, giving you the freedom to create anything from a singular statement piece to a large-scale architectural installation—tailored precisely to your space and vision.
Dimensions & shape
Custom apertures, lengths and depths for any substrate.
Finish & color
Paintable to match the wall — any water-based color.
Optics & output
Beam angle, lumen package and driver to spec.
Color temperature
From warm 1800K amber
to crisp neutral white.
Yes. Alabaster is a natural stone, so veining, tone, opacity, and translucency vary from piece to piece. These differences are expected and are part of the material’s value, not defects.
Alabaster has natural changes in thickness, mineral density, and veining. Some areas may transmit more light than others, which gives each fixture its own depth and character.
Stone carries real mass, so every model ships with mounting hardware rated for its weight. Structural loads are stated on each spec sheet for the installer.
Dust with a soft dry cloth. Avoid acidic or abrasive cleaners — alabaster is a soft mineral and its polish should not be stripped.
Cement is a natural binder and each batch cures slightly differently, so tone and micro-mottling shift a little between pieces. Order a full room from one production run if you need the closest possible match.
No — unlike alabaster it is opaque, so light is directed rather than diffused through the body. That makes it well suited to downward-focused pendants over counters, islands and tables.
Fired stoneware is hard and scratch-resistant, but brittle under impact — the failure mode is a chip or crack rather than a dent. Shades are individually replaceable by model code.
Yes. Ceramic is fired at high temperatures, which makes it heat-resistant as a material. The fixture still needs the correct socket, wiring, driver, and bulb specification for safe performance.
Most glazed bodies are opaque, so the interior glaze does the work: a white or pearl inner glaze bounces light softly, while dark interiors give a tighter, more dramatic beam.
Alabaster is translucent and glows from within — ambient and jewel-like. Concrete is opaque, matt and architectural, with weight and quiet texture. Ceramic is opaque but glazed, bringing color and sheen. Many projects use one for feature positions and another for repeat positions.
These materials work well in hospitality, retail, wellness, cultural, residential, and commercial interiors where texture, depth, and architectural presence matter.
